Kyle Acheson

Kyle Acheson

 

media composer

 
 
Kyle cover page-3.jpg
 
 

Kyle Acheson is a media composer in New York. He writes for film & television and occasionally musicals. Winner of the Bernard Hermann Award for Excellence in Media Scoring from Brooklyn College.

 
 
 
 
 
 

Pat Irwin and Kyle Acheson at the Dexter: Original Sin premiere in New York (2024).

Dexter Original Sin

I’m working as assistant composer to Pat Irwin (Dexter: New Blood, Rocko’s Modern Life, SUSS, Spongebob) on Showtime’s flagship series Dexter: Original Sin.

I am working alongside a super-talented music team (and composing a lot of music for the series!). I even created a theme for Captain Spencer, played by Patrick Dempsey.

It’s a pleasure and a challenge to work on a series with a rich history of score music by the great Dan Licht. (And the theme by Rolfe Kent!)

Premieres December 13th!

 
 
 

LIFE & BETH SEASON 2

Assisted composer Timo Elliston and orchestrator JoAnne Harris on the score for Life & Beth (Season 2), out now on Hulu.

I conducted “Dinner Music” for string quintet at Sear Sound in Manhattan.

Check out the final result:

 
 
 

IN OTHER WORDS

In Other Words is a movie musical short anthology produced by The Barn. The first chapter, titled You Don’t Say was directed by Jeffrey Simon, with music and lyrics by Sam Balzac and AJ Freeman. I orchestrated and MD’d this charming piece, which will play at festivals this year!

 
 
Kyle background brown.jpg
 

Some Kind Words
sent my way:

Not to be overlooked are whiz-kid composer Kyle Acheson’s musical contributions. Though he doesn’t perform his works live as he did in Fertile Ground’s “The Waterman”, his recorded pieces are credible enough to blend into a mixtape alongside David Byrne and The Pixies.
— A.L. Adams, Oregon ArtsWatch
Both my inner child and outer adult were delighted by the catchy melodies and intricate harmonies in this whimsical piece of original theatre.
— Brett Aresco, Theater is Easy
Kyle Acheson contributes original music that sets apt tones of grandeur and sadness.
— Marty Hughly, The Oregonian